2023 | In Praise of Still Boys | 180 Studios | London |
2023 | Fact Issue 6 | Fact | London |
2023 | Fact Issue 5 | Fact | London |
2022 | Fact Issue 4 | Fact | London |
2022 | Future Shock | Fact | London |
2022 | Fact Issue 3 | Fact | London |
2022 | International Woolmark Prize 2022 Showroom | The Woolmark Company | London |
2022 | International Woolmark Prize 2022 Film | The Woolmark Company | London |
2022 | Hervé Télémaque: A Hopscotch of the Mind | Serpentine Galleries | London |
2021 | Fact Issue 2 | Fact | London |
2020 | Fact Issue 1 | Fact | London |
2020 | Fact Identity | Fact | London |
2020 | Bruce Nauman | Tate Modern | London |
2020 | Toyin Ojih Odutola: A Countervailing Theory | Barbican Centre | London |
2019 | Albert Oehlen: The John Graham Remix | Serpentine GalleriesGagosian Gallery | London |
2019 | Trevor Paglen: From “Apple” to “Anomaly” | Barbican Centre | London |
2019 | Beazley Designs of the Year | Design Museum | London |
2019 | Group Object | Group Object | London |
2019 | Is This Tomorrow? | Whitechapel Gallery | London |
2019 | Daria Martin: Tonight the World | Barbican Centre | London |
2019 | Dazed Studio | Dazed | London |
2018 | Francis Upritchard: Wetwang Slack | Barbican Centre | London |
2018 | Memory Palace | White Cube | London |
2018 | Artists in the Archive: Creative and Curatorial Engagements with Documents of Art and Performance | Routledge | London |
2018 | Yto Barrada: Agadir | Barbican Centre | London |
2017 | John Akomfrah: Purple | Barbican Centre | London |
2017 | Richard Mosse: Incoming | Barbican Centre | London |
2006–16 | AA Publications | AA PublicationsArchitectural Association | London |
2006–16 | Architecture Words | AA PublicationsArchitectural Association | London |
2008–16 | Bedford Press | Bedford PressArchitectural Association | London |
2016 | Engineering the World: Ove Arup and the Philosophy of Total Design | Victoria & Albert Museum | London |
2006–16 | Architectural Association Art Direction | Architectural Association | London |
2016 | Bedwyr Williams: The Gulch | Barbican Centre | London |
2016 | Cedric Price Works 1952–2003: A Forward-Minded Retrospective | Canadian Centre for ArchitectureArchitectural Association | London |
2016 | Dyvik Kahlen Architects Website | Dyvik Kahlen Architects | London |
2016 | Imran Qureshi: Where the Shadows are so Deep | Barbican Centre | London |
2016 | Sean Scully, Horizon | Timothy Taylor | London |
2016 | Timothy Taylor Website | Timothy Taylor | London |
2015 | Eddie Peake: The Forever Loop | Barbican Centre | London |
2015 | RCA Design Interactions | Royal College of Art | London |
2015 | Roman Signer: Slow Movement | Barbican Centre | London |
2014 | Aalto | Phaidon | London |
2014 | Ed Atkins: A Seer Reader | Serpentine Galleries | London |
2014 | FORENSIS | Sternberg PressGoldsmiths, University of LondonHaus der Kulturen der Welt | London |
2013 | Bricoleur Bricolage | Architectural Association | London |
2010–13 | Zak Kyes Working With… | Zak Group | LondonLeipzigStockholmChicago |
2012 | God & Co: Francois Dallegret Beyond the Bubble | Architectural Association | London |
2012 | Cosey, Complex | ICA London | London |
2010 | Exhibition Prosthetics | Bedford Press | London |
2007–09 | Forms of Inquiry | Architectural Association | London |
2009 | Serpentine Gallery Manifesto Marathon | Serpentine Galleries | London |
2008 | L.A.W.U.N Project #19 | Architectural Association | London |