2024 | WISH YOU WERE GAY | Anne ImhofKunsthaus Bregenz | IdentitiesPrintMerchandise | Bregenz |
2024 | Sprinter | Sprinter | Identities | Los Angeles |
2023 | In Praise of Still Boys | 180 Studios | Books | London |
2023 | Idea House 3 | Walker Art Center | Creative DirectionExhibitionsIdentities | Minneapolis |
2023 | Fact Issue 6 | Fact | Print | London |
2023 | 2023 Nike Marathon | Nike | Art Direction | Chicago |
2023 | Anne Imhof x Dover Street Market | Anne Imhof | Merchandise | Los Angeles |
2023 | Fact Issue 5 | Fact | Print | London |
2023 | Hartwig Art Foundation | Hartwig Art Foundation | Digital | Amsterdam |
2023 | Signals: How Video Transformed the World | MoMA | Books | New York |
2023 | RIMOWA Design Prize Ceremony | RIMOWA | Creative Direction | Berlin |
2023 | International Woolmark Prize 2023 Film | The Woolmark Company | Creative Direction | Sydney |
2023 | Love My Life | Ufo361 | Art Direction | Berlin |
2023 | No Finish Line | Nike | Books | Oregon |
2022 | Marc Camille Chaimowicz: Reverie, Its Practice and Means of Display | Musée d’art moderne et contemporain de Saint-Étienne (MAMC) | Books | Saint-Étienne |
2022 | Native Records | Def Jam RecordingsNative Records | Identities | Lagos |
2022 | Christian Marclay | Centre Georges Pompidou | Books | Paris |
2022 | Fact Issue 4 | Fact | Print | London |
2022 | RIMOWA Design Prize | RIMOWA | Creative DirectionDigital | Paris |
2022 | Anne Imhof: YOUTH | Stedelijk Museum Amsterdam | Art Direction | Amsterdam |
2022 | Revolutions of Choice | Barkow Leibinger | Books | Berlin |
2022 | Nike School: Chicago | Nike | Identities | Chicago |
2022 | Future Shock | Fact | Exhibitions | London |
2022 | Fact Issue 3 | Fact | Art Direction | London |
2022 | International Woolmark Prize 2022 Showroom | The Woolmark Company | Creative Direction | London |
2022 | International Woolmark Prize 2022 Film | The Woolmark Company | Creative Direction | London |
2022 | Prada FW 2022 Menswear Invitation | Prada | Art Direction | Milan |
2022 | Prada FW 2022 Menswear Pre-show Campaign | Prada | Creative Direction | Milan |
2022 | Hervé Télémaque: A Hopscotch of the Mind | Serpentine Galleries | Books | London |
2021 | Metabolic Rift | Berlin Atonal | Art DirectionIdentities | Berlin |
2021 | Fact Issue 2 | Fact | Art Direction | London |
2021 | Hessel Collection | CCS Bard Center for Curatorial Studies | Books | Annandale on Hudson |
2021 | Anne Imhof: SEX Record | Anne Imhof | Art Direction | Berlin |
2021 | Anne Imhof: Natures Mortes | Anne Imhof | Art Direction | Paris |
2021 | Bruce Nauman: Contrapposto Studies | Pinault Collection | Books | Venice |
2021 | 818 | 818 Tequila | Merchandise | Los Angeles |
2021 | Albert Oehlen: Tramonto Spaventoso | Gagosian Gallery | Books | Los Angeles |
2021 | Your Room Your Dreams | Paco Rabanne | Books | Paris |
2021 | ICONS | NikeOff-White™Taschen | BooksIdentities | Oregon |
2020 | Closer to Life | CCS Bard Center for Curatorial Studies | Books | Annandale on Hudson |
2020 | Fact Issue 1 | Fact | Art Direction | London |
2020 | Fact Identity | Fact | Identities | London |
2020 | Bruce Nauman | Tate Modern | Books | London |
2020 | Toyin Ojih Odutola: A Countervailing Theory | Barbican Centre | Books | London |
2020 | Paco Rabanne Stories | Paco Rabanne | Digital | Paris |
2019 | Albert Oehlen: The John Graham Remix | Serpentine GalleriesGagosian Gallery | Books | London |
2019 | Studio Nauta Website | Studio Nauta | Digital | Rotterdam |
2019 | Faust Record | Anne Imhof | Art Direction | Berlin |
2019 | Hans Ulrich Obrist: An Exhibition Always Hides Another Exhibition | Sternberg Press | Books | Berlin |
2019 | Trevor Paglen: From “Apple” to “Anomaly” | Barbican Centre | Books | London |
2019 | Beazley Designs of the Year | Design Museum | Exhibitions | London |
2019 | Paco Rabanne Packaging | Paco Rabanne | PrintArt DirectionIdentities | Paris |
2019 | Pacollection | Paco Rabanne | Identities | Paris |
2019 | Harvard ArtLab | Barkow Leibinger | Signage | Cambridge |
2019 | Group Object | Group Object | Digital | London |
2019 | Is This Tomorrow? | Whitechapel Gallery | Books | London |
2019 | Daria Martin: Tonight the World | Barbican Centre | Books | London |
2018–19 | Nottingham Contemporary | Nottingham Contemporary | Digital | Nottingham |
2019 | Dazed Studio | Dazed | Digital | London |
2018 | Typecasting Catalogue | Vitra | Books | Milan |
2018 | Francis Upritchard: Wetwang Slack | Barbican Centre | Books | London |
2018 | Fredrik Værslev as I Imagine Him | JRP|RingierAstrup Fearnley Museet | BooksArt Direction | Oslo |
2018 | Museum für Moderne Kunst | MUSEUM MMK FÜR MODERNE KUNST | Identities | Frankfurt |
2018 | Speculations on Anonymous Material, nature after nature, Inhuman | FridericianumKoenig Books | Books | Kassel |
2018 | Museum für Moderne Kunst Website | MUSEUM MMK FÜR MODERNE KUNST | Digital | Frankfurt |
2018 | Paco Rabanne SS 2019 | Paco Rabanne | Print | Paris |
2018 | Memory Palace | White Cube | Exhibitions | London |
2018 | Artists in the Archive: Creative and Curatorial Engagements with Documents of Art and Performance | Routledge | Books | London |
2018 | Omar Kholeif: Goobye, World! Looking at Art in the Digital Age | Sternberg Press | Books | Berlin |
2018 | In Search of Southeast Asia through the M+ Collections | West Kowloon Cultural DistrictM+ | Exhibitions | Hong Kong |
2018 | TVK | TVK | DigitalIdentities | Paris |
2018 | Typecasting | Vitra | Identities | Milan |
2018 | Vitrines for Vitra | Vitra | ExhibitionsSignage | Milan |
2018 | Paco Rabanne FW 18-19 Invitation | Paco Rabanne | Art Direction | Paris |
2018 | Yto Barrada: Agadir | Barbican Centre | Books | London |
2017 | Keep Walking Intently: The Ambulatory Art of the Surrealists, the Situationist International, and Fluxus | Sternberg Press | Books | Berlin |
2017 | Case Study: M+ Stories | West Kowloon Cultural District | Digital | Hong Kong |
2017 | Städelschule | Städelschule | IdentitiesDigital | Frankfurt |
2017 | Parapolitics: Cultural Freedom and the Cold War | Haus der Kulturen der Welt | Exhibitions | Berlin |
2017 | John Akomfrah: Purple | Barbican Centre | Books | London |
2017 | Paco Rabanne SS 18 Invitation | Paco Rabanne | Art Direction | Paris |
2017 | Matias Faldbakken: Effects of Good Government in a Pit | Astrup Fearnley Museet | BooksArt Direction | Oslo |
2017 | 2017 Chicago Architecture Biennial Art Direction | Chicago Architecture Biennial | Art DirectionIdentities | Chicago |
2017 | 2017 Chicago Architecture Biennial Website | Chicago Architecture Biennial | Digital | Chicago |
2017 | 2017 Chicago Architecture Biennial: Make New History | Chicago Architecture Biennial | Books | Chicago |
2017 | Chinese Summer | Astrup Fearnley Museet | Art Direction | Oslo |
2017 | Hiwa K: Don’t Shrink Me to the Size of a Bullet | KW Institute for Contemporary Art | Books | Berlin |
2017 | 2017 German Pavilion Website | German Pavilion at La Biennale di Venezia | Digital | Venice |
2017 | Anne Imhof: Faust | German Pavilion at La Biennale di Venezia | Books | Venice |
2017 | Flood of Rights | LUMA FoundationCCS Bard Center for Curatorial Studies | Books | Arles |
2017 | Paco Rabanne FW 17-18 Invitation | Paco Rabanne | Art Direction | Paris |
2017 | Richard Mosse: Incoming | Barbican Centre | Books | London |
2006–16 | AA Publications | AA PublicationsArchitectural Association | Books | London |
2006–16 | Architecture Words | AA PublicationsArchitectural Association | Books | London |
2008–16 | Bedford Press | Bedford PressArchitectural Association | Books | London |
2016 | Engineering the World: Ove Arup and the Philosophy of Total Design | Victoria & Albert Museum | Exhibitions | London |
2006–16 | Architectural Association Art Direction | Architectural Association | Art Direction | London |
2016 | Bedwyr Williams: The Gulch | Barbican Centre | Books | London |
2016 | Boys Don’t Cry | Frank Ocean | Art DirectionIdentities | Los Angeles |
2016 | Cedric Price Works 1952–2003: A Forward-Minded Retrospective | Canadian Centre for ArchitectureArchitectural Association | Books | London |
2016 | Crossbenching | Sternberg Press | Books | Berlin |
2016 | Dyvik Kahlen Architects Website | Dyvik Kahlen Architects | Digital | London |
2013–16 | Fridericianum Identity | Fridericianum | Identities | Kassel |
2016 | Images | Fridericianum | Art Direction | Kassel |
2016 | Imran Qureshi: Where the Shadows are so Deep | Barbican Centre | Books | London |
2016 | Invisible Adversaries | Hessel Museum of ArtCCS Bard Center for Curatorial Studies | Books | New York |
2016 | Jungle Stripe | Fridericianum | Art Direction | Kassel |
2016 | Los Angeles: A Fiction | Astrup Fearnley MuseetMuseum of Contemporary Art Lyon | Art Direction | OsloLyon |
2016 | Paco Rabanne SS 17 Invitation | Paco Rabanne | Art Direction | Paris |
2016 | Paco Rabanne, FW 16-17 Invitation and Lookbook | Paco Rabanne | Art Direction | Paris |
2016 | Sean Scully, Horizon | Timothy Taylor | Books | London |
2016 | Tetsumi Kudo | Fridericianum | Art Direction | Kassel |
2016 | Timothy Taylor Website | Timothy Taylor | Digital | London |
2015 | 2015 Chicago Architecture Biennial Identity | Chicago Architecture Biennial | Art DirectionIdentitiesSignage | Chicago |
2015 | 2015 Chicago Architecture Biennial Website | Chicago Architecture Biennial | Digital | Chicago |
2015 | After Year Zero: Geographies of Collaboration since 1945 | University of Chicago Press | Books | WarsawBerlin |
2015 | Eddie Peake: The Forever Loop | Barbican Centre | Books | London |
2015 | Good Morning America | Astrup Fearnley Museet | Art Direction | Oslo |
2015 | Imponderable: The Archives of Tony Oursler | LUMA FoundationJRP|Ringier | Books | Arles |
2015 | Inhuman | Fridericianum | Art Direction | Kassel |
2015 | Marcel Broodthaers | Fridericianum | Art Direction | Kassel |
2015 | Modern Monsters | Spector BooksTaipei Fine Arts Museum | Books | Taipei |
2015 | NNA-NNA-NNA | Astrup Fearnley Museet | Art Direction | Oslo |
2023–15 | Paco Rabanne Identity | Paco Rabanne | Identities | Paris |
2015 | Paco Rabanne SS 16 Invitation | Paco Rabanne | Art Direction | Paris |
2015 | RCA Design Interactions | Royal College of Art | Digital | London |
2015 | Realism Materialism Art | CCS Bard Center for Curatorial Studies | Books | Annandale on Hudson |
2015 | Roman Signer: Slow Movement | Barbican Centre | Books | London |
2014 | Aalto | Phaidon | Books | London |
2014 | Berlin Biennale Guidebook | KW Institute for Contemporary ArtHatje Cantz | Books | Berlin |
2014 | Berlin Biennale Identity | KW Institute for Contemporary ArtBerlin Biennale for Contemporary Art | IdentitiesArt Direction | Berlin |
2014 | Berlin Biennale Website | Berlin Biennale for Contemporary Art | Digital | Berlin |
2014 | Ed Atkins: A Seer Reader | Serpentine Galleries | Books | London |
2014 | Europe, Europe | Astrup Fearnley Museet | Art Direction | Oslo |
2014 | FORENSIS | Sternberg PressGoldsmiths, University of LondonHaus der Kulturen der Welt | Books | London |
2014 | Fridericianum Bookshop | Fridericianum | SignageExhibitions | Kassel |
2014 | Fridericianum Website | Fridericianum | Digital | Kassel |
2014 | Hans Ulrich Obrist: Sharp Tongues, Loose Lips, Open Eyes, Ears to the Ground | Sternberg Press | Books | Berlin |
2014 | Helen Marten, James Benning, Lutz Dammbeck | Fridericianum | Art Direction | Kassel |
2014 | Nature After Nature | Fridericianum | Art Direction | Kassel |
2014 | Paul Sharits | Fridericianum | Art Direction | Kassel |
2014 | Spielraum | Barkow LeibingerHatje Cantz | Books | Berlin |
2013 | 2013 Lisbon Architecture Triennale Website | Lisbon Architecture Triennale | Digital | Lisbon |
2013 | 2013 Lisbon Architecture Triennale Identity | Lisbon Architecture Triennale | Art DirectionIdentities | Lisbon |
2013 | After Year Zero, Berlin | Haus der Kulturen der Welt | Exhibitions | Berlin |
2013 | After Year Zero, Warsaw | Museum of Modern Art in Warsaw | Exhibitions | Warsaw |
2013 | and Materials and Money and Crisis | mumok | Books | Vienna |
2013 | Bricoleur Bricolage | Architectural Association | Books | London |
2013— | Graham Foundation Identity | Graham Foundation | Art DirectionIdentities | Chicago |
2013 | Speculations on Anonymous Materials | Fridericianum | Art Direction | Kassel |
2013 | The Human Snapshot | CCS Bard Center for Curatorial Studies | Books | Annandale on Hudson |
2010–13 | Zak Kyes Working With… | Zak Group | Self-Initiated | LondonLeipzigStockholmChicago |
2012 | God & Co: Francois Dallegret Beyond the Bubble | Architectural Association | Books | London |
2012 | Albtraum Partizipation | Merve Verlag | Books | Berlin |
2012 | Barkow Leibinger Website | Barkow Leibinger | Digital | Berlin |
2012 | Cosey, Complex | ICA London | Books | London |
2012— | Critical Spatial Practice Series | Sternberg Press | Books | Berlin |
2012 | New Extreme Violet | Centre Georges Pompidou | Self-Initiated | Paris |
2012 | Taipei Biennial Exhibition Design | Taipei Fine Arts Museum | Exhibitions | Taipei |
2012 | Taipei Biennial Identity | Taipei Fine Arts Museum | Identities | Taipei |
2012 | Taipei Biennial Website | Taipei Biennial | Digital | Taipei |
2011 | Hans Ulrich Obrist: Everything You Always Wanted to Know About Curating* | Sternberg Press | Books | Berlin |
2010 | Exhibition Prosthetics | Bedford Press | Self-Initiated | London |
2007–09 | Forms of Inquiry | Architectural Association | Self-InitiatedExhibitions | London |
2009 | Serpentine Gallery Manifesto Marathon | Serpentine Galleries | Books | London |
2008 | L.A.W.U.N Project #19 | Architectural Association | Books | London |
2008— | Solution Series | Sternberg Press | Books | Berlin |